This Week in Design - June 11th

Cutthroat

This post is part of our weekly roundup of inspiring images selected by some of These Giant’s writers and users. If you want to contribute to this section, just send us an email with a link to the image or via Twitter at http://twitter.com/thesegiants

Above, Yellowstone Cutthroat photo by Pat Clayton

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Graphic Designer, Matt Stevens

Matt-Stevens-1

Check out the refreshing work of Charlotte, North Carolina designer Matt Stevens. He’s been churning out brand identity work as the Creative Director for HAWSE. Like most portfolio sites, he keeps a blog running for insight into his process and to showcase new work. Check out more work after the jump and on his portfolio site.

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Fine Artist, Chris Beas

Chris-Beas-2

The new exhibit from Chris Beas is titled Tamburello, named after Imola’s infamous Formula One race track. It’s a stretch of road marred by the tragic events of the 1984 Grand Prix where two drivers crashed and a third died. Artist Chris Beas uses that race to create his new exhibit at Martha Otero gallery. The work is a mix of sculpture, gouache on paper paintings and installation. The F1 on display here captures the incredible spectacle of power and speed for which it’s know. It also juxtaposes these images with the intrinsic danger that is interpreted in almost sublime form through gouache on paper.

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This Week in Design - June 4th

easy+rider

This post is part of our weekly roundup of inspiring images selected by some of These Giant’s writers and users. If you want to contribute to this section, just send us an email with a link to the image or via Twitter at http://twitter.com/thesegiants

Above, Easy Rider starring Dennis Hopper

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Our Favorite Tweets of the Month - May 2010

Eames

Here are just a few of the most popular design-related tweets from the month of May. You can find more great links on Twitter at @thesegiants. To keep our tweets organized, we’ve been using bit.ly, which allows you to share, shorten and track your tweets.

Above, Eames the Typeface

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